Understanding the women of Mozart's operas

1. Feminine vengeance I : the assailed/assailant-Donna Anna

2. Sisterhood and seduction I : abandonment and rescue-Donna Elvira

3. Class survival-Zerlina

4. Feminine vengeance II : (over)powered politics-The queen of the night

5. Good daughter, good wife-Pamina

6. Woman's identity I : sacred and profane-The three ladies and Papagena

7. Sisterhood and seduction II : friendship and class-Countess Almaviva and Susanna

8. Woman's identity II : loss and legitimacy-Marcellina and Barbarina

9. Sisterhood and seduction III : intimacy and influence-Fiordiligi and Dorabella

10. Survival class-Despina

1. Feminine vengeance I : the assailed/assailant-Donna Anna

2. Sisterhood and seduction I : abandonment and rescue-Donna Elvira

3. Class survival-Zerlina

4. Feminine vengeance II : (over)powered politics-The queen of the night

5. Good daughter, good wife-Pamina

6. Woman's identity I : sacred and profane-The three ladies and Papagena

7. Sisterhood and seduction II : friendship and class-Countess Almaviva and Susanna

8. Woman's identity II : loss and legitimacy-Marcellina and Barbarina

9. Sisterhood and seduction III : intimacy and influence-Fiordiligi and Dorabella

10. Survival class-Despina.